Tag Archives: Children’s books

Where do ideas come from?

The idea of this blog was to bring you on the journey with me as I wrote a book. And after about 20 posts about writer’s block and procrastination, I finally got writing but stopped blogging. So I feel I owe you a couple of retrospective posts.

Let’s start at the very beginning, a very good place to start . When you read you begin with ABC, when you sing you begin with … Excuse me, no idea why I was suddenly chanelling Julie Andrews in The Sound of Music. Actually, I do know. It started with the words: ‘Let’s start at the very beginning’ and the tune came into my head. It started with the WORDS…

So many ideas come as you write. It’s the magic, the very essence of creativity. So don’t sit there waiting for a great idea. Write and the ideas will follow and then you can shape them.

One idea I had stemmed from an image in Vogue magazine of a model on the Mongolian steppes with an eagle. Woman and bird were in profile, gazing into the distance. It was beautiful, striking. I decided to do an exercise with her as a character. I’d been playing around with a parallel world idea but as I started to write, the photo gave me a new beginning, actually a a whole new incarnation of the book, starting in the parallel world and having the character from our world fall into it.

The book I’m currently working on started because of news articles and TV programmes about the pressures on girls to be skinny, pretty and sexy. I was horrified that girls as  young as seven were worrying about their body image! In one programme girls were shown photos of themselves along with images photoshopped so they looked skinnier and fatter. In almost every case, the girls picked the skinniest version of themselves as being the best. I’d also read about teenagers aspiring to be models or wives of footballers, or just to be on the latest reality TV programme.

Then I heard the crime author PD James talking on Radio 4. She’s in her nineties and that got me thinking about what she must have seen and experienced in her lifetime and how it couldn’t have been easy for a female crime writer early in her career, then, BAM, suffragettes popped into my head. What would the suffragettes make of the world today? What if a modern day teenager met one? That was the genesis of my book.

So the media seems to be a big source of inspiration for me. Looking at the obituaries might seem morbid but they feature interesting lives and that gets you thinking. Or a crime report might give you a plot idea. Overheard snippets of conversation on a bus can spark an idea or a character’s voice, people-watching in cafes is endlessly fascinating, making up lives for them. Putting down your phone so that you’re not picking up emails and posting on twitter but actually observing the world helps a lot. Just asking the question: What if…? Your dreams could give you an idea. Stephanie Meyer’s Twilight came from a dream. According to wikipedia, it led to Meyer writing a draft of what became chapter 13 of the book.

Travelling is good. Anything that makes you an outsider, that gets you looking at the world differently can trigger creativity. I recently went to an amazing hot spring in Malaysia with a big pool of geothermic water  surrounded by towering verdant limestone karsts with caves beneath. I felt humbled and inspired by those great architects, nature and time. It could have been another world. It could have been Eden.

The magnificent cavern with stalagtites and stalagmites that had been turned into a wine bar, was quite spectacular. A brilliant setting for a book. Something gothic, perhaps. If Stephanie Meyer had been to this place, Edward Cullen would have taken Bella on a date there.

Your own lives and experiences will give you ideas  – you may not write about them directly but they will certainly inform your writing. And once you’re writing, you start to think like a writer and notice things that you didn’t before. I will hear someone’s name and I’ll think, that’s a great name for a character and off I go. In short, ideas are all around you and you shouldn’t worry about the idea, just the sitting on your bum to write.

Whether it’s a commercial idea is another matter. What publishers are looking for is a good concept that will sell. This often comes from two ideas coming together. Vampirates, for example. Suzanne Collins is reported to have got the idea for the Hunger Games  while channel surfing. On one station was a reality TV show and on another was the invasion of Iraq and the two began to blur in her mind and she ended up with the idea of a dysptopian world where there’s an annual, televised, gladiatorial fight to the death.

I find thinking too much about commerciality blocks my writing, so I’m not going to put too much emphasis on this. The most important thing is to have something that you are compelled to write. If you have something special you can bring to it, you are an immigrant writing about the immigrant experience for example, all the better. You become commercial. The publisher can market you and you will sell your book. My friend Liz Trenow wrote The Last Telegram, which is set in the second world war – always popular– but she had a unique selling point. She comes from a family of silk weavers and she set her novel in a silk factory making parachutes for the RAF with her heroine running the factory.  As well as going to book fairs she goes to textile fairs to give readings. She knows her stuff and the sensuality the silk weaves through her story made it something that no one else could have written.

Write for yourself first but have your reader in mind. Be aware of trends but don’t try to follow them or predict them. You can help a publisher if you can give them a way to market it, something to peg it on. But underneath all that, they need a strong voice, a brilliantly evoked world, great characters and a cracking story.

Hope shimmers on the horizon

The new year has started with a glimmer of hope. I sent the first three chapters of The Smuggler’s Daughter  to a small independent press in Dublin after I heard the managing editor speak at a SCBWI retreat at the end of 2011. I received a lovely email back saying she was ‘impressed’ by my work and I had ‘real talent’ and she wanted to see the rest. Woohoo!

This was tempered by her preparing me for the ‘not right for our list’ rejection as they are a small press and only have one historical title which is also set in Napoleonic times. But she still wanted to read it and she was interested to hear my ideas for my next project. Hope shimmers on the horizon. I’m praying it’s not a mirage.

Are the stars are aligning, at last? Or maybe it’s just taking a positive step like going to a writing retreat that is continuing to reverberate in opportunity and  possibility. I needed the encouragement and support of fellow writers. They understand about the process, about dealing with rejection, about picking yourself up, about persevering. Steve Hartley, who wrote the children’s series Danny Baker Record Breaker, spoke about how it took him 15 years to get published and was afraid that might discourage us. But as someone who has spent 12 years writing (well 10 years writing and two years sulking), it gave me hope. I wasn’t alone.

I’m happy putting the time and effort in to learn the craft. With each of my three books, I’ve got better and got closer, getting shortlisted for competitions and having agents ask to see the rest of my book after years of standard rejection letters. Then, with Smugglers, which I wrote for my MA in Creative Writing (another of those positive steps), I found my voice and got lots of agent interest and a couple wanting to represent me. And then came the barrage of publishers’ rejections and two years of writer’s block.

It’s  harder to pick yourself up when you’ve got so close. But it’s what you have to do and my fellow writers encouraged me not to lose faith in the book. Children’s author Patricia Forde (Hedgehogs do Not Like Heights) gave me the nudge I needed to talk to the editor about Smuggler’s and it worked. It’s being considered again.

Wordism: Take positive steps to achieving your goal of finishing your book or getting it published. Take courses, go on retreats, join a writer’s group, network all you can, develop an online presence.

Just after the retreat, I discovered that my MA friend Liz Trenow had got a two-book deal with Harper Collins’ Avon imprint for her book The Last Telegram. Again, it gives me hope that it can and does happen. The following day, I saw a familiar name on the SCBWI Facebook page. Tina Orr-Munro – a former colleague from my days as a journalist. She had a book cover as her Facebook photo, Ellie Foster’s English Courseworkand sure enough, when I got in touch, I discovered that she too had got published. Not only that, but she’d been through the same journey as me. She’d got an agent only to be knocked back by the big publishers. She gave up writing for two years then decided to try some small independent presses and, hey presto, Rickshaw jumped at it.

The right book has to land on the right desk at the right time. You can have the talent. You can have the craft. But what you really need is luck. I wish you lots of it!